A Street Car Names Desire Essay Example for Free

A Street Car Names Desire EssayA Street Car Named Desire deals with a culture clash between the Old Souths plantation mentality (priding itself on false pretenses) and the New Souths relatively uncivilized, yet rattling, clutch pedal on reality. The two characters who come to represent this tension are Blanche and Stanley Kowalski. Blanche advertises herself as a champion of grey Honor. This entails an unfaltering dedication to virtue and culture. These are non, however, driving factors in her life but only clothe her alcoholism and delusions of grandeur. By contrast, Stanley is an industrial worker who acts on habit and structure. Tennessee Williams juxtaposes illusion and reality by render the antagonistic relationship between the two by consistently employing symbolism. Blanche is constantly escaping the realities of life by retreating into her stimulate fabrications. Her plummet into a delusional world begins when her beloved husband reveals himself to be gay and, soo n after, shoots himself. She locomote into a spiral of affairs after this event in a search to find stimulated satisfaction and to reaffirm her womanhood.She ignores the obvious detrimental effect of her intimacies because all she essentials is to be happy again to be loved. Blanche physically escapes the reality of her life by leaving Belle Reve and Laurel to go to her sisters home plate in New Orleans. Here, she misrepresents who she is and enters another relationship where she recreates her identity. When confronted about her lies, Blanche explains that she lies because she refuses to accept the hand fate has dealt her I dont want realism. I want magic Yes, yes, magic I try to give that to people.I misrepresent things to them. I dont tell truth, I tell what ought to be truth. And if that is sinful, then let me be damned for it (Williams, 34) Lying to herself and to others allows her to confuse life appear as she thinks it should be rather than as it is. Her final, deluded ha ppiness (as her sister and Stanley commit her to an bonkers asylum) shows her acceptance that illusion is an adequate reality, but it also shows realitys inevitable triumph. The driving drag of reality, embodied by Stanley Kowalski, quickly dismantles all the falsities Blanche comes to represent.He is a practical man firmly grounded in the physical world who disdains fabrications. He finds meaning only in the primitive and straightforward Theres something d ownright vile about him He acts like an animal, has animals habits Yes, something ape-like about him (71). An animal would not create an alternate reality for a situation but would act according to the real, harshness of life in order to ensure its own survival. Stanleys animal habits can be looked at as an appreciation only for tangible truths. In the end, Stanley succeeds in debunking all the false images Blanche created about herself.He goes out of his way to reveal Blanches past and then flaunts it in a crude, insensitiv e way Take a look at yourself here in a worn-out Mardi Gras outfit, rented for 50 cents from some rag-picker Do you know that Ive been on to you from the start, and not once did you pull the wool over this boys eyes? Ha ha Do you hear me? Ha ha ha (67). Stanley again asserts his bestial tendency, but this time to show his dominance. When he proceeds to physically rape her, he metaphorically strips her of the false reality she created.Williams uses symbolism to show that Blanche is trapped in a life of delusion. The Varsouviana Polka and the use of settle are reoccurring symbols that elude to her disconnect with reality. The Polka is the music that compete the night her husband committed suicide. Blanche says that it ends only after she hears the sound of a gunshot in her head. It plays at various points in the play, symbolising this event that triggered her mental decline. Whenever a situation gets too real, Blanche firmly believes she hears the Varsouviana, panics, and looses her enamor on reality.Also, throughout the play, Blanche avoids appearing in direct, bright light, especially in front of Mitch And turn that over-light score Turn that off I wont be looked at in this merciless spotlight(45). It is clear she avoids the lights in efforts to conceal the reality of her age and fading beauty. Symbolically, Blanche avoids light in order to block Mitch from seeing her for who she is. She, once again, retreats into her own world of illusion. Blanche is never able to be looked at in the light and exposed.She never faces reality. Both Stanley and Blanche have a hard time relating to the other gender without sexual implications. The difference of opinion is that Stanley is upfront about this animalistic behavior towards women, while Blanche tries to paint herself as above the primitive constitution of her sexual impulses. We can call one approach realistic and the other delusional, but it doesnt variety show the fact that both characters approach interacti ons in a sexual way. What does this say about the nature of what is real and what isnt? Williams seems to draw an ambiguous line. This implies that reality and illusions coexist in our lives, and what we choose to label our views and actions is just a matter of perspective.