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Monday, March 18, 2019

The Variety of Characters in Shakespeares Othello :: GCSE English Literature Coursework

The Variety of Characters in Othello William Shakespeare has many a(prenominal) ways of illustrating his pillowcases with way of dialogue and language patterns. This is his trademark and it is his ultimate strategy for drawing off his reader closer, until they are completely immersed in his simulated military operation. In Othello we see that a character like Iago has been given a very rough and unloving aura about him, which in time shows us as readers how brutish he really is. On the contrary Othello himself is rather noble in his speech, but overall just as clever. These characters are clever in their own separate ways Othello in living a effigy life of both war and love (which seems to keep him tied to the battlefield, a danger zone) and Iago is clever in his ways of manipulating an entire lot of quite a little to get what he wants. Any excerpt from the play Othello shows how clever Shakespeare is in his own ways, writing traits that cannot be ignored. A good example of witty Shakespearean playwriting is in the opening Act of Othello- Act I, Scene i., pg. 78-92. The do of language in this Scene is so classic- for example the way Iago and Roderigo play off of each other in speech. Their goal in the core of the night is to wake Brabantio (Desdemonas father) and tell him of the extravagant aff shine between Othello and her daughter. In the streets of Venice these men holler their way up to his chambers, arising him to the balcony. Shakespeares plectron of speech is so affective, and so perfect. Roderigo Signor (a question of his authority), is all your Family within? Iago Are your Doors locked? (Instigating panic) Roderigo/IagoI.i.87-89 Shakespeares choice of words here is beautiful in its shrewdness, and in so many ways affective. Iago in particular seems to push the situation, and operate the conversation as he always does. He goes on to tell Brabantio his state of mental confusion and in many ways hypnotize the poor man. Your heart is bur st, you brace lost half your soulan old black Ram is tupping your uninfected Ewe. IagoI.i.89-91 Shakespeare gives Iagos character such filth, such a stench in the air about him that you can smell it while reading. Here is a character in Othello that is hard to understand, and there have been many views taken on his role.

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