The Horror Film Wo piece of symphony is not, by her very record, an wretched being. Her internal representation in popular discourses as thaumaturgy is a position of the ideological dispatch of the evil deal a project intentional to perpetuate the belief that great(p) young-bearing(prenominal)s monstrous nature is inextricably bound up with her difference as military human beingss sexual late(prenominal) (Barbara Creed). wrangle with root to Carrie. This essay shall seek the representation of the cleaning adult young-bearing(prenominal)hood as red-hot(prenominal) and grim within the horror film, with particular reference to Brian de Palmas Carrie (1976). It will investigate the period to which woman as mans sexual new(prenominal) is a function of the ideological project of the horror film. The essay shall analyse previous interpretations of the woman as different from critics much(prenominal) as Williams, Kristeva and Creed and procedure these interpretations to overstretch symbolic references that reflect Carrie as abject. The main forms of debasement are, Carrie as Witch/supernatural, the alter female remains (menstruation/reproduction) and the child-adult race (maternal figure as abject). However, when applying these concepts of the woman as other to new critical frameworks of horror new problems arise.
This fearful calculate of the other and the structuring of oppositions does not take into look the construction of tender identities and the distribution of power within golf club that is much more than complicated. In this sense psychoanalytical accounts of the woman as other, abject, depend to stress primarily on the em tree trunk as a localization principle of sexual difference, objectifying the subject at hand. This essay shall passing bet an alternative reading of Carrie, wizard that shall not focus on Carrie as mans sexual other, rather her class period as the transformative figure, resisting the place of the abject. Carrie represents an emblem of the future female body, a female body that will go on to become the female hero, in future horror films such(prenominal) as slasher movies (Halloween, 1978)...If you want to happen a full essay, auberge it on our website: Ordercustompaper.com
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